Let me introduce you to Gaia. Gaia is a human clone or more aptly, a human garden. She is a twisted, mutilated version of woman with little conventional beauty to behold. Yet there’s a sense of strength in her structure and: the beat of her HEART, the bright BLOOD pumping through her veins and the light yellow aura that floats above her- are riveting. Gaia struggles, as so many main characters do, to find her place in the world.
She is also the main character of my sci-fi script, GAIA, which took first place in The Indie Gathering’s sci-fi feature script contest, one of a couple dozen contests I entered over the past two months or so. The win is my first and a welcomed reprieve from the repeated thrashes of rejection from others.
Admittedly, the validity and usefulness of screenplay contests continues to be debated, especially for any contests other than the “Top 5.” Indeed, as I searched for contests, and weighed the benefits and costs of each, I struggled not to let the naysayers drag me down.
Site after site, person after person, nay after nay; these sounded much like this:
“contests that charge over $25 aren’t worth it”
“any other than the top 5 are a waste of time”
“contests are a waste of time… they won’t help you sell your screenplay”
“contests are good for the ego, but that’s all.”
Of course, some of these comments were by people who had not yet placed in any contest, but not all of them and some were directly from people working within the film industry. Regardless, the impact varied little.
With each nay, my enthusiasm waned, even after my win. That is, until I realized something so profound that when I told Confucius he said, “Do what?” Not really, actually he rolled his eyes and said, “Uh.. duh.” So what is this not-so profound realization?
In the screenwriting world (and in fact, most any artistic industries), a reverberating factor of success seems to be the ability to find like-minded people.
A win may or may not mean you write well, but it means that someone or several “someones” appreciated your writing. It doesn’t matter if they appreciated it because it was “good” writing, or because it was a “good” story or for some other reason. All that matters is that you made that connection. For that win, you “won” someone over, and each contest you enter increases your chance to connect.
Think of these contests as fishing. They take time, money and can be tiring. Sometimes you’ll get a nibble, sometimes a bite, but you won’t get anything if the fish in the lake don’t like your bait. Even the biggest worm won’t hook a fish if the fish in the lake prefer crickets. Thus, for me, these contests are my pole.
I use them to gauge the interest in my bait. What other route offers you so much direct access to such a large, diverse range of people. Whether the judges are members of the Hollywood elite or not, they are people you can connect with.
There are many reasons why cult followings are popular and movies that have them are ultimately successful. Not every success is based on the size of the catch. Sometimes it’s taste that counts.
And as I consider the value of screenwriting contests, I remind myself also that Indie films and the whole site of Kickstarter are all about funding based upon a connection. Not a network of who you know, but a connection of a shared vision and goal. And isn’t that why we write anyway; to connect with others?
Autumn Whiltshire earned her Master’s degree in Creative Writing from Wilkes University. She writes poetry, short stories and screenplays. Her thesis script, Gaia won first place in The Indie Gathering’s 2014 Sci-Fi Feature category. You can follow Autumn at: http://autumnwhiltshire.wordpress.com/