Posts Tagged ‘historical fiction’

Todd McClimans’ Time Traitor

August 4, 2014

In collaboration with Wilkes Magazine’s Summer Reads Contest, in which participants comment on the featured book of the week in order to win a free copy, I interviewed Todd McClimans, author of Time Traitor, whose book is currently participating in the contest.

Todd’s book, the first in the American Epochs series, is a middle grade, sci-fi/history novel about the adventures of children who travel to significant events in American history, such as the American Revolution, and where they meet historic American icons like Benedict Arnold.

The book’s Amazon reviews are very telling, with comments like, “McClimans does a masterful job of character development with his young heroes Ty and Kristi as well as the story’s supporting cast of friends and foes,” and “The author doesn’t shy away from the brutality of slavery or ground combat, and he does a fine job of showing that history, even the most painful aspects of it, is more complex than any textbook could capture.”

You can find out more about the book by going to Time Traitor’s website (http://www.timetraitor.com/), or it’s Facebook page (https://www.facebook.com/toddmcclimans2013).

Could you tell me a little about your book?TT-frontcover-103013

Time Traitor is the first book in the American Epochs series, a Middle-Grade historical/sci-fi series that is meant to take kids to important eras, or epochs, in American history and hopefully trick them into learning some important history while enjoying a story. I decided to incorporate science fiction and time travel instead of writing traditional historical fiction because, for one thing, I would LOVE to time travel myself and writing stories about time travel is the next best thing. But, equally as important, I want my readers to experience the events in history through the eyes of contemporary characters to which they can relate.

 My main characters, Kristi (an African American girl from a rich family) and Ty (an orphaned boy from England) are real life kids with real life problems. Kristi is struggling with the divorce of her parents and lashes out in school as a way of getting attention. Ty is an introverted bookworm who deals with bullying and harassment and is unwanted by his step-father after the death of his mother.

The two discover that their eccentric history teacher, Dr. Xavier Arnold, is a direct descendant of General Benedict Arnold, a former patriot who sold out his friends and countrymen by switching to the British side during the Revolutionary War. Xavier Arnold, in an attempt to improve his tainted family name, invented a time machine to go back to the time of the war and assist Benedict in his plans for treachery and make him a hero again, but for the British this time. He drags Kristi and Ty back with him as pawns in his scheme and they have to traverse colonial America to stop Dr. Arnold and force him to return them to their own time.

How did the idea come to you?

I am currently an elementary school principal, but when I came up with the idea, I was a fifth grade teacher. I used novels about specific time periods in history to help the students gain a better understanding of the time periods and the cultures of the people in our social studies curriculum (Sign of the Beaver—frontier life and Native American relations, Rifles for Waite—western theater of the Civil War, etc.). But, beyond Johnny Tremain, I had trouble finding novels about the Revolutionary War for my students. So, I decided to write one of my own.

About how long did it take you to write it? What was your favorite/least favorite part of the process?

My first draft came to me quickly. It took me about six weeks to plan and outline the story. Once I had an outline, it only took me about two months to write my first draft. However, I am a compulsive reviser, so I spent the next eighteen months rewriting and revising before I started submitting. Revising is my favorite part of the whole writing process. In the classroom, I tried impressing upon my students that stories, or any other kind of writing for that matter, are never truly finished and can always be improved upon.

I love how you can simply change a few words or descriptions around to make a story funnier, scarier, happier—whatever-er.

My least favorite part is most definitely the submission process. Trying to boil your story, your baby, down to a few sentences in a query letter that probably won’t get past the cubicle of a college intern in a publishing office or agency is daunting and discouraging. I hate to use the cliché needle in a haystack, but that’s how it feels.

Have you started work on any of the other books in the American Epochs series? Can you tell me anything about those?

The second book, Time Underground, is currently with the editors at my publishers and is due to be released in November of this year. In Time Underground, Kristi finds out that her great-great-great-great-great-grandfather was a slave who escaped on the Underground Railroad and survived to sire her family. However, he had a younger brother who attempted to escape with him, but was caught and disappeared from history. Kristi and Ty go to 1858 to find Kristi’s uncle and help him get to the north and safety.

I’m about 25,000 words into the first draft of the third book in the series. My working title is Time to Heal—but I’m not in love with that title yet, so I expect it to change. The third installment is set during the Civil War where Ty works in the hospitals and experiences the horror of Civil War medicine before he’s dropped right on top of Little Round Top during the Battle of Gettysburg and the Confederate assault.

What was it like trying to collaborate factual, historical events to turn them into a fictional, fantasy narrative?

It was very important that my narrative be as historically accurate as possible. As I stated above, I wanted my readers to learn about the historical events while they are reading, so I do a great deal of research before writing and while I’m drafting. I believe the term for it is active history. It’s not a rote recitation of historical events, but a recounting of events through the eyes of characters who do not see the outcomes as predetermined. It’s a fine line to tread, but that makes it all the more fun to write…and hopefully to read.

How do you work with suspended disbelief, making something so fantastical become a believable scenario?

I use some author’s license and try to write in a way that seems believable. My stories are technically science fiction because of the time travel, but they are not traditional sci-fi. I don’t go into extended explanations into the science behind my time machine or the theoretical possibilities of time travel. I think it works because my stories are written from the points-of-view of young characters who don’t really care how they were transported through time, just that they were transported and what they are going to do about it. I count on my readers to use their imaginations while they are reading, giving them an active role in the story instead of a passive one.

When writing a young adult novel, do you have to give your language any special consideration? Is it difficult not to condescend to your intended audience? What do you think is the real difference between YA literature and Adult literature?

My series is meant for a Middle Grade audience (ages 9-14), a step younger than YA. That being said, storytelling is storytelling so I don’t see a whole lot of differences in the language for different intended audiences. Kids are more intuitive than we give them credit for. They know when language and descriptions are condescending and they’ll drop a book much faster than an adult at the first sign of condescension. No middle grade reader would be caught dead reading a “kiddie book”.

I see the major task for any writer, whether he/she is writing MG, YA, or Adult books is the ability to get his/her readers to relate to the characters and the real life issues they face. A story comes alive when the reader can see him/herself in the main characters. Take an adult detective novel, for example. The antagonists often deal with social issues such as alcohol abuse, broken marriages, or kids who won’t talk to them. Adult readers can relate to those issues. YA readers deal with teen angst (do we still call it that???) in their real lives. Many antagonists in YA books deal with questions and decisions about overbearing parents, individuality and independence, an even sex, alcohol, and drug use because those problems/questions are real to YA readers. MG readers worry about their parents’ divorce, bullying, and mean teachers. I see these issues as more innocent, yet no less real to the characters and the readers.

Have your children read Time Traitor? What do they think?

My oldest son is eight and going into the third grade. He has the reading ability to comprehend Time Traitor, but he doesn’t have the background knowledge about the Revolutionary War to truly understand the importance of the events in the book. I’ll wait until he reaches that point in school to let him read it.

What advice would you give to other aspiring writers?

I’ll be cheesy and steal Nike’s motto. Just Do It. Everybody knows someone who wants to write a book someday. And all of those people have real, legitimate reasons for putting it off (jobs, family, time, etc.) But to be a writer, you have to actually sit down and write it. Then rewrite it and rewrite it. You have to understand that you’re going to write a lot of garbage along the way as you learn. But the more you read and the more you write, the better your writing will develop. I’m not aware of any savants who sat down and wrote the Great American Novel on their first shot. You get out what you put in.


IMG_5076Todd McClimans is an elementary school principal and former fifth grade teacher.  He holds bachelors degrees in Creative Writing and Elementary Education and master’s degrees in Creative writing and Educational Leadership. He lives in Pennsylvania with his wife and three young children.  A self-styled history buff and fantasy nerd, Todd first became interested in writing about American history when teaching his fifth graders the riveting stories of patriots and their struggle for independence during the Revolutionary War.  He aims to bring history to life for young readers by writing stories with a careful mixture of historical fact and fantastical story-telling with characters to which children can relate.
Advertisements

Barbara J. Taylor’s Sing in the Morning, Cry at Night

May 1, 2014
Barbara J. Taylor received her M.A. in Creative Writing from Wilkes University in 2008. Her first published novel (and the first book in a series of three), Sing in the Morning, Cry at Night was recently selected for Publishers Weekly’s “Best Summer Books 2014” list. Akashic Books have also provided a description of the novel on their website:
“Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in SingintheMorningCryatNightthe Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls’ father, “turns to drink” and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is “off being saved” at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.”
After hearing about the novel’s success and having enthusiastic discussions with other members of the Wilkes Creative Writing program who are excited about the book, I prepared some questions for Barbara Taylor. Luckily, she was kind enough to share some of her insights about her novel with The Write Life blog!  (Clicking on the book cover above will take you to the Amazon page where the book can be purchased.)
Your book Sing in the Morning, Cry at Night was just put on the Best Summer Reads list for Publishers Weekly. You must be completely thrilled! How did you feel when you saw that?
 
I was stunned and delighted. When you’re writing a book, you never think about how it will be received once it’s out in the world. I had a moment after I signed my contract where I realized people who don’t know me, people who have no idea how hard I worked, will be reading my book. That was a little scary.  
 
How does a writer get acknowledged by a publication like that? Did you have to do anything special to promote the book?
 
You’d have to ask the amazing people at Kaylie Jones Books and Akashic Books. They are responsible for getting Sing in the Morning, Cry at Night to places like Publishers Weekly. As far as first book experiences go, mine has been amazing. My publishers are so author-centric. I found a very safe place to land.
 
How long, from the original idea to the publication, did it take for you to produce this novel?
 
I started writing Sing in the Morning, Cry at Night in 2007 and finished my first official draft (with lots of unofficial revisions in between) in late 2008. I probably spent another year revising after that. My agent sent the book out, and while there was some interest, no one picked it up. I decided to move on and wrote the first draft of my second novel. Then, one summer, Kaylie Jones had an idea for restructuring the first book. I spent the next year doing rewrites, so the novel took about four years to complete over a period of seven years.
 
What was that process like? Was it an emotional journey?
 
The process was definitely emotional at times. My novel is based on a family story. Growing up, I always heard about the death of my Aunt Pearl, my maternal grandmother’s sister. She was baptized on July 4, 1918. Later that day, she and her friends were playing with sparklers and Pearl’s dress went up in flames. She survived for three days and sang hymns. When I was partway through my novel, I remember sitting at my desk, staring at the last picture taken of Pearl, a group photo from the day of her baptism. The picture was always in our house, but for some reason, it really hit me that night. This was more than a story. This was someone’s daughter, sister, friend. I sat there and cried as if I’d just lost her myself. 
 
The process was emotional in other ways as well. I started the novel just after my divorce, and my dad got sick along the way, so there were hardships. While it wasn’t intentional, I’m sure I poured some of that emotion into the work as well.
 
How much research was involved in writing this novel?
 
Since my novel is historical fiction, there was a great deal of research involved. I spent countless hours at the Lackawanna Historical Society, the Albright Memorial Library, and the Anthracite Museum. I also interviewed numerous people, visited mines, and read lots of primary source material.
 
You mentioned that the story was inspired by a family tragedy. Are there any other real life events that made it into your novel?
 
At one point in my novel, several of my characters get snowed in at a Billy Sunday Revival on March 1, 1914. Billy Sunday was a well-known evangelist at the time, and he held one of his campaigns in Scranton that year. My grandmother used to say she was born during the “Billy Sunday Snowstorm” where 2500 people were stranded overnight with the very charismatic preacher. I thought that would be an interesting setting for my characters.
 
What advice do you have for other aspiring writers/novelists?
 
Read. Read. Read. Write. Write. Write. Repeat.
 
And get involved in a writing community, be it a local workshop or an MFA program. Writing is such a solitary activity. It’s good to have a network of like-minded people to support and encourage you. 
 BarbTaylorBarbara J. Taylor was born and raised in Scranton, PA, and teaches English in the Pocono Mountain School District. She has a master’s degree in creative writing from Wilkes University. She still resides in the “Electric City,” two blocks away from where she grew up. “Sing in the Morning, Cry at Night” is her first novel.
CONTACT:
Webpage: barbarajtaylor.com
Facebook Author Page: facebook.com/barbara.j.taylor729
Twitter: twitter.com/barbarajtaylor