I am a reader and being a reader made me a writer. I have loved books forever and they have loved me back. Grammar and punctuation did not love me and I pretended we would never meet again—until a few years ago when I entered the Wilkes M.A./M.F.A. program and began teaching part-time in Washington State.
One of my first gigs was a grammar review class. Learning theories acknowledge that students learn more when they teach a new skill to a classmate. When I had twenty-five students counting on me and I was hired to be the “expert,” I knew that I would never have a better occasion to learn the twenty different ways to use a comma or how sometimes subordination adds a touch of elegance to stale syntax.
As the time to intern with Etruscan Press approached, I was direct and told Phil Brady and Managing Editor Jackie Fowler that I wanted to experience the duties of a proofreader and editor. With a green light, Jackie sent me home with books to read and consider reviewing. A few weeks after residency, my first proofreading task arrived in my Gmail inbox.
Certainly, proofreading led me down roads I had never planned to go, but I loved each fresh challenge. My main technical question concerned the endash (–) so named because it is the length of the letter n and it is often used between numbers: such as, 3:00–6:00, and the emdash (—) which is defined by the length of an m, and can be used in place of a colon, and commas or parentheses that are placed around nonessential information—or to indicate a long pause. Dashes are entirely optional. When I went through James McCorkle’s poetry manuscript, The Subtle Bodies, I was in love with the language, but had to shut down the content reading part of my brain and look at the mechanics. What I found were endashes and emdashes employed inconsistently. This happens when files are transferred from laptops to desktop pcs. Mr. McCorkle loves his dashes, as do I, so my job as a proofreader for a dash-user just happened to be a good fit. And just a few weeks ago, McCorkle’s uncorrected proof appeared in my mailbox. I saw how what is often unacknowledged work bear fruit in McCorkle’s close-to-publication manuscript; I appreciated that background work is a good fit for me. During the internship, I took an additional brief editorial course and found that I want to go even farther and seek a professional certificate. Eventually, I would love to work as a book editor and shape a manuscript from submission to publication. For now, the unexpected offer to continue with Etruscan Press as a poetry manuscript consultant is satisfying.
My internship duties were primarily divided between proofreading and book reviewing. Before I approached Phil and Jackie about writing book reviews, I brought book review skills that I had begun to hone during my M.A. while reviewing memoirs for alumni Donna Talarico-Beerman’s Hippocampus Magazine, and a poetry review in [PANK] that I landed via another alum, Amye Barrese Archer. I wanted to offer Etruscan Press something in exchange for the chance to experience proofreading.
I worked harder on the book reviews than I expected to. While polishing them, I found my reviewer’s voice: a reader/writer that writes for readers/writers. Silly to say, but before the internship, I hadn’t considered my published book reviews as publishing credits. I followed up venues for book reviewing online sites that were in the Internship course packet. I was excited to see my reviews appear in Founding Editor Lori A. May’s Poet’s Quarterly and The Small Press Book Review. As I heard back from gracious authors who appreciated the time I took to review their books, I realized that the more I submit my work, and the more conversations that I have with writers, an intimate and reciprocal writing community exists. I may have never considered writing book reviews as a regular goal, but because of breaks given to me by Wilkes alumni and the internship, I will continue reviewing. On February 1st, I am launching a book review blog to feature my wide-range of reading interests and books that I choose, instead of my editors. I can be indulgent and celebrate exceptional writing talent at the same time. I am not saying goodbye to the Wilkes Creative Writing Program as I had expected to. I forged and fostered relationships that weren’t forced but are authentic. One of my writing mentors, Neil Shepard often said to me, “Onward!” and that’s the plan.
Kim Loomis-Bennett is a life-long resident of Washington State, besides a detour into Oregon where she met her husband. Her poems and book reviews have appeared in The November 3rd Club, The Copperfield Review, Poet’s Quarterly, and Hippocampus Magazine. Recent work is included in The Prose-Poem Project and The Far Field. She has served as poetry editor for River and South Review. Kim also teaches part-time at Centralia College. She has an M.A. and an M.F.A. in Creative Writing from Wilkes University. Her work, Soiled Doves: A Poetic Sequence, published in 2011, is available as an e-book.